The Rise of Catherine the Great
The more he hated her, the more she loved him...this girl of MANY loves who rose to rule a hundred million souls but could not govern her own heart.
The woman who will become Catherine the Great marries into the Russian royal family when she weds Grand Duke Peter, the nephew of Empress Elizabeth. Although the couple has moments of contentment, Peter's cruel and erratic behavior causes a rift between him and Catherine. Mere months after Peter succeeds his aunt as the ruler of Russia, a revolt is brewing, and Catherine is poised to ascend to the throne as the country's new empress.
Drama
History
5.6
20 reviewsRuntime: 95 min.
Budget: N/A
Revenue: N/A
Release Date: 1934-02-09
Director(s): Paul Czinner
Production: London Films Productions
Languages: English
IMDB: tt0024962
Where to Watch
Stream: 
HBO Max
HBO Max Amazon Channel
Criterion Channel
HBO MaxHBO Max Amazon ChannelCriterion ChannelRent: 
Amazon Video
Amazon VideoBuy: Amazon Video
Amazon VideoData from JustWatch
Cast
More Like This
Recommendations
Reviews
CinemaSerf★ 7/106/13/2022
Some actors just emit a sort of magnetism through the camera - and Douglas Fairbanks Jr (Grand Duke Peter) does it in spades in this rather prosaic depiction of the early life of Catherine II of Russia. When Princess Sophie (Elisabeth Bergner) is chosen to marry the young Grand Duke by his aunt, Empress Elisabeth (Flora Robson) and the Kaiser, she arrives in a court where it isn't just the weather that is ice cold. Their relationship develops, in fits and starts, as she decides she is not going to simply be his trophy bride. Bergner depicts the young woman well, combining the personas of naive flightiness soon tempered by a steeliness of character. There is a strong, lively, performance from Robson as the Empress with her own coterie of lovers and a rather fun contribution from Gibb McLaughlin as Bestujhev. Overall, however, the film lacks the intrigue and the chemistry of Von Sternberg's "The Scarlet Empress" - It is a little dry; but the dark cinematography lends much to the integrity of the depiction of 18th Century Russian court life and the narrative does engender some sympathy for the young woman who was in no way equipped for what destiny had in store for her.