Poor Things

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/poor-things-venice-film-festival-review-emma-stone-shines-in-the-best-film-of-the-year-so-far/ "Not only is Poor Things the best movie of the festival, but it's also the best of the year so far, as well as a new personal favorite of Yorgos Lanthimos' career. A brilliantly thought-provoking, insanely hilarious story packed with substance, focused on a fascinating self-discovery journey filled with thematically rich layers. Astonishing performances from the entire cast, but Emma Stone is truly impressive as an exceptionally expressive force who should win many awards. A technical masterclass across all filmmaking areas simply puts the icing on top of a near-perfect cake." Rating: A

When the circumstances of our lives don’t suit us, it’s time to reinvent ourselves – something that happens both literally and metaphorically in this latest offering from director Yorgos Lanthimos. But the way that result comes about here represents a truly inspired fusion of genres, including comedy, romance, social commentary and sci-fi, making for one of the most inventive, unusual and hilarious releases of recent years. This offbeat feminist fable tells the story of how a pregnant, young, anonymous suicide victim (Emma Stone) is reanimated with the aid of a brain transplant from her unborn fetus, an achievement accomplished by a colorful, controversial but well-meaning surgeon/scientist a la Dr. Frankenstein (Willem Dafoe). He nurtures his subject back to life, health and sentience, a sometimes-challenging process that finally surfaces when she discovers sexuality, the trigger for exploring a new, independent life for herself, both physically and emotionally. Through a series of adventures over the course of a trip through Europe with a free-wheeling, lusty but lecherous, self-serving lawyer (Mark Ruffalo), she finds herself as a self-actualized woman in an age where that’s more of a rarity than a standard, particularly in a world where men treat women more like property than people. While the film’s pacing could use some shoring up in the middle, this offering nevertheless entertains with uproarious laughs throughout, even when the narrative turns more thoughtful and substantive. The superb performances by Stone, Dafoe and Ruffalo are top shelf, contributing to the picture’s whopping 13 Critics Choice Award and 7 Golden Globe Award nominations. The film is also visually stunning in its cinematography and editing, as well as in its spectacular and whimsical production design, filled with images reminiscent of the movies of Wes Anderson and Terry Gilliam while sustaining a look all its own. Admittedly, this release features a good deal of explicit sexuality, both visually and in the dialogue, so sensitive viewers should take note. However, as one of the most anticipated pictures of this year’s awards season, “Poor Things” never disappoints, serving up a solid offering that consistently tickles the funny bone while giving audiences much to think about – and there’s nothing poor in any of that.

It's almost as if Yorgos Lanthimos had sat down for a transcendental conversation with James Whale! Student "Max" (Ramy Youssef) is a student recruited by his professor "Godwin" (Willem Dafoe - aka "God") to come and help him work on his latest project. She's called "Bella" (Emma Stone) and it soon transpires that she is the product of some very creative surgery on the part of "God" - a man who has, himself, had one or two experiences under the knife at the hands of his scientist father! You see, a pregnant woman took her own life by jumping from a bridge, but was luckily fished out of the water before her baby died. The surgeon managed to deliver the baby then replace the dead brain of the adult with the one from the nascent infant! Needless to say, "Bella" is on an actively steep learning curve and is quite capable of throwing the odd tantrum to get what she wants - and that is, initially, to go out and explore. Gradually more empowered, and a little more mature, she discovers the delights of the orgasm - and after that there's no stopping her. "God" tries to control her by suggesting a marriage to "Max" but he insists on such a fastidious contract that "Duncan" (Mark Ruffalo) concludes she must be worth investigating. He meets her and offers her her dreams, she convinces "God" to let her go with him and soon she is embarked on a trip around Europe enjoying the frequent delights of "furious jumping"! The always learning woman soon tires of her beau, and realises that she can have loads of fun and earn at the same time - before "God" falls ill and she must return home to not just that life, but surprisingly to the one she thought she had left behind on the bridge. This film is genuinely laugh-out-loud at times, and the performance from Emma Stone has to be her best. She plays the almost porcelain-like and childish "Bella" when we meet her expertly, and that skill prevails as her character evolves into a savvy, street-smart and capable woman who quickly learns to fight fire with fire. Ruffalo is also on super form as her travelling companion and Kathryn Hunter also turns in a solid performance as her Parisian paymaster "Swiney". The narrative takes us on a fantastic tour of European cities, but also on a wonderfully evocative tour of humanity - warts and all. "Bella" has a practical and analytical mind that at times seems ludicrously detached, then somehow she ends up having got it right all along. It might look a bit long at just shy of 2½ hours but it really flies by and I couldn't help but feel sorry for the poor billy goat at the end of this creatively interpreted and very well adapted story of what were originally supposed to be Glaswegian hotspots!

Superb! It's quite the ride! I don't have the film school-esque analysis to adequately describe all this, so I'll very much leave that to others. What I can note, though, is that I had a great time watching <em>'Poor Things'</em>. It's incredible. I have many a positive, though the main one is obvious: Emma Stone. All I can say is: Bravo! A truly outstanding performance! Another major, major plus is the music. Wow! Sensational. It's so commanding throughout, blowing me away in what felt like every few minutes... and yet, it never distracts or takes you out from any scene unfolding onscreen. One of the greatest scores I've heard in a very long time. That aside, the visuals are amazing - from the colours to the sets, major props to all those behind the scenes. It all looks exquisite. Stone isn't alone in impressing, as Willem Dafoe is brilliant too - loved his showing in this, the accent is particularly well fitting. Mark Ruffalo is praiseworthy too, as is everyone else to be honest - e.g. Ramy Youssef and Kathryn Hunter. They all partake in a quite bizarre plot, but one that is absolutely absorbing from beginning to conclusion. Pre-watch I was somewhat expecting that this was going to be one of those (having not researched anything, as per) overly artsy flicks that I wouldn't connect with, delightfully I was totally wrong. I also felt, when Christopher Abbott's character appears, that the film should've ended earlier, though again I was incorrect because the film simply manages to continue at such a hugh quality. To wrap it up: I loved it. Credit to all involved.

Fantasy drama- comedy adult film directed by Yorgos Lanthimos (The Killing of the Sacred Deer, The Lobster, The Favourite) and written by Tony McNamara (The Great, The Favorite, Cruella), being based on the 1992's novel by Alasdair Gray, that Lanthimos liked and even went to Scotland in 2009 to buy the direct of the movie. Having a victorian semi-steampunk and exquisite atmosphere it tells the story of a newly created woman Bella Baxter, with her body reanimated by the eccentric surgeon Godwin Baxter, that discovering that after her suicide jumping a bridge she was pregnant, and uses the unborn fetus brain on her head. After this she went on a journey from a Frankenstein character and develops her tastes and skills gradually till the end of the filme. I must say that some sexual scenes with Emma Stone and her character sexual appetite are most daring and shows how she grow as and actress in all aspect. The main core of roles are Emma Stone as Bella Baxter, Mark Ruffalo as Duncan Wedderburn, Willem Dafoe as Dr. Godwin Baxter and as a lesser role Ramy Youssef as Max McCandles. According to the cinematographer, Ryan Williams (American Honey, The Favorite) in conjunction with the director Lanthimos used an array of cameras, lens and films included Nikon, Angenieux Optimo and Zeiss Master Zooms, an ultra-wide PL-mount Optex 4mm fisheye, designed for 16mm/S16mm cinematography, that opens up to T2, plus antique 58mm and 85mm Petzvals. Ryan selected EASTMAN DOUBLE-X Black & White Negative Film 5222 for the movie's opening B&W sequences, KODAK EKTACHROME Color Reversal Film 100D 5294 for Bella's elopement and adventures with Wedderburn, and KODAK VISION3 500T Color Negative Film 5219 for the film's denouement. The production design by Shona Heath and James Price and the equip of art direction and prosthetics made and incredible job plus with the unique costume design by Holly Waddington (Lady MacBeth, Clash of Titans) also are striking, from the more bizarre childish dresses used on the start of the film to the more adut on the end. All this with a modest budget of $35 million. The movie have 11 Academy nominations for Best Achievement in Makeup and Hairstyling, Best Achievement in Music Written for Motion Pictures (Original Score), Best Motion Picture of the Year, Best Achievement in Directing, Best Performance by an Actress in a Leading Role, Best Performance by an Actor in a Supporting Role, Best Adapted Screenplay, Best Achievement in Cinematography, Best Achievement in Film Editing, Best Achievement in Production Design, Best Achievement in Costume Design and already have 11 BAFTA awards plus Venice Film Festival 2 awards, Golden Lion Best Film and Yorgos Lanthimos 2023 Winner UNIMED Award. I honestly hope that the movie shines and it shinned for me and obfuscated some other movies (maybe only not in best co-adjuvant actress - which we don't have here) at the academy.