Production
Projection/Admiration
Himself (Archival)
Toil And Trouble: Making 'Macbeth'
Executive Producer
A Beautiful Demon: Kazuo Koike on 'Lady Snowblood'
On Camera: Fifteen Apollo Astronauts and Their Experience of a Lifetime
Robert Downey: Moment to Moment
Making The Worst Person in the World
Undressing a Legacy
'Fail-Safe' and the Cold War
Herschell Gordon Lewis: The Godfather of Gore
Fellini's Homecoming
Kurosawa and the Censors
Five Directors On The Battle of Algiers
CHE and the Digital Cinema Revolution
Passion Project
The Battle of Brazil: A Video History
Discovering William Greaves
Seven Samurai: Origins and Influences
Paul Schrader: Man in a Room
Introducing My Father, François Truffaut
A Very Tricky Balance
Dreams and Burdens
Glamour and Tension: John Bailey on Notorious
In Full Swing
Mia Mask On Bojangles Of Harlem
Poisoned Romance
George Stevens Jr. On 'Swing Time'
Way Out on a Limb
Making Badlands
Building the Inferno: Nobuo Nakagawa and the Making of 'Jigoku'
Matthew Polly On "Game Of Death"
(There Is No) Cure
The Film That Warped Too Much: A Restoration Demonstration
Poitier's Walter Lee
Masahiro Shinoda on 'The Human Condition'
Tadao Sato on Ozu's The Only Son
The Making of 'The Darjeeling Limited'
James L. Brooks: A Singular Voice
Where It Began: The Origins of WALL·E
Anatomy of a Scene: The Plant
Daniel London and Will Oldham on Old Joy
Hans Fromm on 'Phoenix'
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Living 'Lord of the Flies'
Producer
Revolutions Per Second
Hawks on Hawks
Lighting Up with Hildy Johnson
Working with De Sica
The Way of Folk
Reflecting on “Take Out”
Underworld: How it Came to Be
Watching Gena Rowlands
Powerful Patterns: David Bordwell on Notorious
Marxist Poetry: The Making of The Battle of Algiers
A Visit to the Pixar Living Archive
Ralph-E: The Art of the Color Script
Weimar on the Pacific
Dietrich Icon
Caroline Champetier and Arnaud Desplechin: A Conversation about 'Shoah'
Homay King on 'Shanghai Express'
The Battle of Algiers: A Case Study
Miles Goes Modal
Functions of Film Sound
Evan Dalton Smith on Andy Griffith
Ron Briley on 'A Face in the Crowd'
Jay Cocks and Farran Smith Nehme on 'The Heiress'
A.W. A Portrait of Apichatpong Weerasethakul
In Search of Ozu
Babe Ruth Footage
Constructing a House
Life as a Dream
Lucas, Coppola & Kurosawa
Sharon Malone and Eric Holder
Andrew Cohen on Crisis and Its Outtakes
Robert Drew & Associates at the Museum of Tolerance
Men of Mystery
Reviving Harry Lime
Coming to America: Jan Troell on 'The Emigrants' and 'The New Land'
Restoring the Apu Trilogy
Emotional Uncertainties
Giving Up the Ghost
Miranda July: Where it Began
Uncovering The Naked City
Jackie Coogan: The First Child Star
The Great Dictator: The Clown Turns Prophet
Our Paul: Remembering Paul Robeson
John Bailey on Freddie Francis
Now is Now: Wim Wenders on 'Perfect Days'
Agnes V. by Jane B.
Making Sweetie
Table Scraps: Notes on Babette's Feast
Making Mishima
Producing Mishima
The Highest Standards — Shih Chun on A Touch of Zen
The Reluctant Lead — Hsu Feng on A Touch of Zen
A Touch of Art — Ang Lee on King Hu
Art-house Martial Arts — Tony Rayns on A Touch of Zen
Art-House America: Austin Film Society
Shooting 'Blood Simple'
Something in the Air: Making "sex, lies, and videotape"
Cliff and Larry: Beginnings
No Boundaries: A Cure Conversation
In Her Own Image: Kelley Conway on Agnès Varda
La Haine: Social Dynamite
Manthia Diawara on 'Black Girl'
M’Bissine Thérèse Diop on 'Black Girl'
Samba Gadjigo on Ousmane Sembène
Manthia Diawara on 'Borom Sarret'
Revisiting 'Black Orpheus'
Black Orpheus and That Bossa Nova Sound!
James Gray and Sean Fennessey
A New Way of Seeing: B. Ruby Rich on Chantal Akerman
'The Cranes are Flying' and Soviet Cinema
Light in the Darkness: The Impact of Night of The Living Dead
In Her Own Words
Rossellini and the City
Women in Love: Desert Hearts
Claude Lanzmann "On Shoah": A Conversation with Serge Toubiana
Jean Seberg
Keep Your Sunny Side Up: The Ballad of Addie and Moze
