Directing
Born: 1954-10-02 in Greven, Germany
Daniel, the Wizard
Journalist
Kurosawa and the Censors
Self
Monsieur Truffaut Meets Mr. Hitchcock
Director
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Contract Kid: William Reynolds on Douglas Sirk
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Of Love and Constraints
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Acting for Douglas Sirk
Ted Kotcheff's Gourmet Cinema
Fassbinder in Hollywood
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
Requiem for a Killer: The Making of 'Blast of Silence'
Return to Philadelphia: George Litto on 'Blow Out'
Rag Doll Memories: Nancy Allen on 'Blow Out'
Black and White in Color: Vilmos Zsigmond on 'Blow Out'
Traveling Roadshow
Jack Arnold Remembers The Incredible Shrinking Man
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
Touching Death: Alejandro Amenábar on 'Tesis'
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Starting Out: The Making of Jerzy Skolimowski's Deep End
A Winter's War: Keith Gordon on 'A Midnight Clear'
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Before Taking Off: Milos Forman’s Road to America
Perspectives on Othello: Joseph McBride on Orson Welles
Will He Live or Will He Die: Walter Hill on Southern Comfort
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
The Beast Inside: Creating 'Wolf'
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Swan Song: The Story of Billy Wilder's Fedora
Beyond Melodrama: Kathryn Bigelow on Douglas Sirk
A Tribute to Douglas Sirk by Allison Anders
Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Dalton Trumbo: Rebel in Hollywood
A Cinema of Signs: Claude Chabrol on Alfred Hitchcock
Love Letters
'Deep End': Remembering the Deleted Scenes
Life As It Is: Miloš Forman on Miloš Forman
Return to Beethoven Street: Sam Fuller in Germany
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
The Fury: A Location Journal
Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'
Erinnerungen an 'Väter und Söhne'
Outer Movement, Inner Movement
The Making of Highlander
Expedition Amazonia
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Making an American Movie
Maternal Overdrive
Sound
Editor
Writer
Producer
Director of Photography
Associate Producer
Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer
Camera Operator
Hans Fromm on 'Phoenix'
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Cinematography
Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'
Budd Boetticher on the Ranown Cycle
Weimar on the Pacific
Consulting Producer
Dietrich Icon
Homay King on 'Shanghai Express'
Men of Mystery
Reviving Harry Lime
Working with Max Ophuls: Tony Aboyantz, Assistant Director
Working with Max Ophuls: Daniel Gélin on "La Ronde"
Working with Max Ophuls: Daniel Gélin on "Le Plaisir"
Le Plaisir: From Script to Screen
Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir
Working with Max Ophuls: Robert Christidès, Set Decorator
Working with Max Ophuls: Annette Wademant, Co-Writer
Working with Max Ophuls: Marc Frédérix, Assistant Decorator
Working with Max Ophuls: Alain Jessua on the Making of Madame de...
Working with François Truffaut: Nestor Almendros, Director of Photography
