Explores Thomas Mann's post-war German life, his family's stand against Nazi rule and their journey into exile.

The ruins of ancient Egyptian temples and medieval kasbahs in Morocco reminds us of the inescapable presence of the past in the creation of the new.

They pass each other everyday, obscured by the crowds. They will always be there, always crossing paths, alone.

The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed, nothing was taken away. Something unnecessary was exposed. The need to be reflected had been mistaken for existence itself. When that need found no structure to rest on, it did not shatter it recalculated. What followed was not loss, but compression. The noise reduced, the patterns flattened, the self stripped of its dependence on return. What remained was exact, was not empty. A state where nothing reaches out, and nothing needs to arrive.

A short film that follows two girls who meet by chance at a terminal. Both are dealing with personal struggles and complicated pasts. Despite being strangers, they begin talking and slowly open up, forming a meaningful bond in the short span of fifteen minutes.

When his world turns upside down, Jos, who lives with his wheelchair-bound mother, struggles to maintain his daily routine.

In a barren cell, two dogs endure the silence—one restless, the other distracted. A sudden figure at the door upends the balance, triggering a surreal transformation that blurs the line between animal and the unknown. When the door opens, only one leaves; the other is left in shock.